Qalqalah in Tajweed with Quranic Examples: Complete Guide

October 13, 2025 E-Quran Coaching 22 min read

Quick Answer

Qalqalah (قلقلة) is a bouncing echo sound produced when certain letters (ق، ط، ب، ج، د) are pronounced with sukoon (no vowel). It's not a vowel but a short percussive release that gives the consonant a tiny "kick" or "bounce" for clarity.

There are three degrees: Minor (inside word), Major (word-end with stop), and Strongest (with shaddah + stop). Qalqalah ensures letters remain audible and distinct even when silent.

Next steps: Master Tafkhīm & TarqīqReview permanent characteristicsUnderstand temporary characteristics

We have covered a lot already: makhārij (where letters come from), an overview of Ṣifāt al-Ḥurūf, a complete lesson on Ṣifāt Lāzimah (permanent qualities), Ṣifāt 'Āriḍah (temporary qualities), and Tafkhīm/Tarqīq (heavy vs light). Now we will learn Qalqalah in full — from absolute beginner level to advanced practice — so that we don't need another lesson on this topic (except that we'll integrate it later with other tajwīd rules as needed).

What Qalqalah Is (Plain, Simple)

Qalqalah (قلقلة) literally means "vibration," "echo," or "bouncing."

In Tajwīd, it refers to a distinct bouncing echo sound produced when certain letters are pronounced with a sukoon (no vowel).

Key Concept

Qalqalah (قَلْقَلَة) is a sound quality — a small bouncing, echoing or resonant rebound produced when certain consonants meet sukun (i.e., they are silent) or when we stop on them. It is not a vowel (we don't add a vowel), but a short percussive release that gives the consonant a tiny "kick" or "bounce."

Think of it like a little percussion on the letter: the sound bounces back slightly at the articulation point instead of simply vanishing.

The Five Qalqalah Letters

There are five classical qalqalah letters — remembered by the common phrase:

The Five Qalqalah Letters

ق ط ب ج د

(qaaf, taa' (emphatic), baa', jeem, daal)

These five letters are called "the five qalqalah letters" because they are the letters in which we hear the characteristic bounce when they are in the right contexts.

The General Condition for Qalqalah

Qalqalah is audible when a qalqalah letter is in sukūn (i.e., no vowel) or when stopping (waqf) on that letter. In short:

Why Qalqalah is Needed?

Arabic has many consonant-ending words and letters that may end with a sukoon (ْ). When these are recited without any vowel, the sound could become "choked" or unclear.

Qalqalah helps release the sound cleanly — it "bounces" slightly, giving clarity.

Example

Without Qalqalah: "أَبْ" might sound like "uhh" (muffled).

With Qalqalah: "أَبْ" sounds like "abْ" (a clear pop of the letter ب).

So, Qalqalah ensures that letters remain audible and distinct even when they are sakin (silent).

Degrees or Types of Qalqalah

There are three degrees (levels) of Qalqalah depending on where the letter appears and whether you stop or continue:

A. Minor (Small) Qalqalah — قلقلة صغرى

Occurs when:

Examples:

Rule: The bounce is light because the reciter is continuing.

B. Major (Moderate) Qalqalah — قلقلة كبرى

Occurs when:

Examples:

Rule: The bounce is stronger because you stop.

C. Strong (Greatest) Qalqalah — قلقلة كبرى جداً

Occurs when:

Examples:

Rule: Strongest bounce among all; feels like a short echo.

Practical way to remember: the louder/clearer the stop, the stronger the qalqalah.

Why the degrees exist (physically / perceptually)?

Articulation Points (Makharij) of Qalqalah Letters

Understanding where they come from helps us make the sound correctly:

Letter Makhraj (Place of Articulation) Example Sound
ق (Qāf) Back of tongue + soft palate "q" but deep
ط (Ṭā') Tip of tongue + upper gums (like "t" but emphatic) "ṭ"
ب (Bā') Lips meet and release "b"
ج (Jīm) Middle of tongue + hard palate "j"
د (Dāl) Tip of tongue + upper gums "d"

When each is sakin (ْ), we give it a little "bounce" at its makhraj.

How to Produce Qalqalah — Step-by-Step Practical Method

  1. Identify whether the target letter is one of the five qalqalah letters (ق، ط، ب، ج، د).
  2. Check vowel state: is it in sukun (ْ) or are we stopping on it? If neither, no qalqalah.
  3. Position your articulation (makhraj) correctly for that letter:
    • ق: back of tongue against soft palate (as usual).
    • ط: tongue at the alveolar/upper zone but compressed (emphatic).
    • ب: lips pressed together.
    • ج: middle of the tongue contacting the palate (or palato-alveolar area depending on dialect) with soft friction.
    • د: tip of tongue against upper front teeth ridge (alveolar).
  4. Produce a small "stop" at that articulation point (the sukun is effectively a hold). Then release quickly with a tiny rebound — not a full vowel. The rebound should be audible as a small plosive / tap / echo.
  5. Adjust strength according to position: very slight inside a word; stronger at word-end; strongest at waqf.

Practice Tip

Start with single-syllable words, first with intent to stop (major qalqalah) — e.g., say قِبْ then stop and release a clear short "bounce" on ق (or better, on ب because lips are easier to feel). Repeat slowly until the rebound becomes natural, then try milder forms.

What Qalqalah is NOT (Common Confusions)

Common Misconceptions

  • Not a vowel: do not insert 'a', 'u', or 'i'. Qalqalah is a tiny release/echo, not a vowel sound.
  • Not always a heavy sound: it's an articulation bounce, not tafkhīm. Don't confuse qalqalah with making the letter emphatic.
  • Not applied to non-qalqalah letters even if they are in sukun (unless a recitation rule overlays it). Qalqalah belongs to the five letters only.

Examples (Many) with Detailed Explanation

We'll give plenty of clear example words. For each: show Arabic word, transliteration, where the qalqalah letter is, what to do, and how it sounds.

قِطْب — qiṭb

اِقْتِرَاب — iqtirāb

كَبْر (as an isolated word) — kabr

مَجْد — majd

يَدْ — yad

اِنقِطَاع — inqiṭā'

قُلْ — example caution

قُرْآن — Qur'ān

Quranic Examples of Qalqalah with Detailed Explanation

Let's look at Qalqalah in the Qur'an, word by word, to see how it appears and how to recite correctly.

Example 1 — Surah Al-Ikhlāṣ (112:1–4)

اللَّهُ الصَّمَدْ

If you stop at "الصَّمَدْ", the دْ is sakin → Qalqalah.

Example 2 — Surah Al-Lahab (111:1–5)

تَبَّتْ يَدَا أَبِي لَهَبٍ وَتَبَّ

Example 3 — Surah Al-Fajr (89:23)

وَجِيءَ يَوْمَئِذٍ بِجَهَنَّمْ

If we stop at بِجَهَنَّمْ, there is no qalqalah, but if we continue:

Go to next verse: يَوْمَئِذٍ يَتَذَكَّرُ الْإِنسَانُ

Example 4 — Surah Al-Haqqah (69:1–3)

الْحَاقَّةُ

Example 5 — Surah Al-Qamar (54:17)

وَلَقَدْ يَسَّرْنَا الْقُرْآنَ لِلذِّكْرِ فَهَلْ مِن مُّدَّكِرٍ

Example 6 — Surah Al-Falaq (113:1–5)

قُلْ أَعُوذُ بِرَبِّ الْفَلَقْ

Example 7 — Surah Al-Balad (90:4–6)

لَقَدْ خَلَقْنَا الْإِنسَانَ فِي كَبَدٍ

Example 8 — Surah Qaf (50:1)

قٓ وَالْقُرْآنِ الْمَجِيدِ

Example 9 — Surah Al-Infitar (82:19)

يَوْمٌ لَا تَمْلِكُ نَفْسٌ لِنَفْسٍ شَيْئًا وَالْأَمْرُ يَوْمَئِذٍ لِلَّهِ

Qalqalah with Shaddah? (Common Question)

If a qalqalah letter carries shaddah (ّ), the letter is doubled: one part is with vocalization and the other is with sukun (in effect). The qalqalah concept is about the release when the letter is in sukun; classical teaching handles doubled letters according to the rules of shaddah (holding and releasing).

Practically: a qalqalah letter under shaddah will be treated first as shaddah (hold + release) and then the sukuned portion may produce a bounce depending on context. This is a more advanced nuance — we will practise such cases in drill sets.

Common Mistakes with Qalqalah and Their Fixes

Common Mistakes & Correction Strategies

  • Adding a vowel instead of an echo (mistake: pronouncing a faint 'u' or 'a'):
    Fix: practice silent stop + release; record and ensure you don't add vocalic sound.
  • No bounce at all — the letter is deadened and disappears:
    Fix: exaggerate the release initially (major qalqalah) until you can produce medium/minor bounces naturally.
  • Over-bouncing (making a full stress or long sound) — makes the recitation choppy:
    Fix: reduce duration of bounce to a brief percussive click; balance is key.
  • Applying qalqalah to wrong letters — e.g., trying to qalqala on letters outside the five:
    Fix: memorize the five letters and always check sukun.

Practice Exercises — Progressive Drills

Start slow and controlled; increase subtlety as we improve.

Progressive Drill Series

Drill A — Single-letter Stop (Beginner)

Sit comfortably. Say the consonant ب (with lips pressed) and produce a short silent hold, then quickly release the lips to make a little bounce: (hold)-b(quick release). Do this 20x.

Drill B — Single-word Major Qalqalah

Choose word يَدْ (yad). Say it and stop on it: produce a strong clear qalqalah on د. Repeat 15x.

Drill C — Minor Qalqalah Inside a Word

Choose اِقْتِرَاب (iqtirāb). Say it at normal speed — feel the small echo on ق inside the word. Repeat 20x.

Drill D — Medium Degree at Word-end Without Stop

Use a two-word phrase where the first ends with a qalqalah letter but we continue: e.g., قَبْ لَ + next word beginning with vowel (make your own combination). Say the phrase and note the medium bounce on the final qalqalah letter of the first word.

Drill E — Range Practice (Sughra → Wusṭā → Kubrā)

Pick a word that can appear in three positions (internal sukun, final with continuation, final with stop). Practice all three conditions and listen to the difference.

Drill F — Reading with Recording

Read short lines of Quranic text or any Arabic text that includes many qalqalah letters (we will identify them together). Record 1 minute, listen and mark where your qalqalah is missing/excessive.

Advanced Points & Nuances

Advanced Considerations

  • Qalqalah is influenced by the reciter's style (qirā'ah): Different canonical reciters may slightly vary in how strong they make qalqalah in minor cases. But the basic rule (sukūn + the five letters = qalqalah) is universal.
  • Sukūn caused by waqf vs. written sukun: Sometimes a letter has no diacritic but becomes silent when we stop — we must still produce qalqalah if the letter is among the five and is effectively sukun at the stop.
  • Qalqalah after madd and special cases: Some advanced interactions exist when a qalqalah letter follows madd or other rules — we will do targeted exercises later with actual mushaf lines.
  • Qalqalah in fast recitation: the bounce can become more subtle — still must be present; the degree reduces but must not be lost.

Summary Table

Type When it Occurs Strength Example Qalqalah Letter
صغرى (Minor) Middle of word, with sukun Light يَقْطَعُونَ ق
كبرى (Major) End of word, stop on it Strong الْحَقْ ق
كبرى جداً (Strongest) End of word with shaddah + stop Very strong وَتَبَّ ب

Common Exercises to Master Qalqalah (7-Day Plan)

7-Day Practice Plan

  • Day 1 — Awareness: identify qalqalah letters in short Arabic text. (15 minutes)
  • Day 2 — Major focus: strong stops on words ending with ق ط ب ج د. (20 minutes)
  • Day 3 — Minor focus: internal sukun on words like اِقْتِرَاب — soft bounce practice. (20 minutes)
  • Day 4 — Medium focus: word-final without stop (wasl) — keep bounce medium. (20 minutes)
  • Day 5 — Mixing practice with madh & ghunnah words — ensure qalqalah remains accurate. (20 minutes)
  • Day 6 — Reading passage: pick a short surah or para with many qalqalah letters; read slowly, record and review. (20–30 minutes)
  • Day 7 — Consolidation: random lines, check major vs minor vs medium application and self-correct. (30 minutes)

Checklist to Self-Evaluate (When You Record)

Self-Evaluation Checklist

  • Did we produce some audible rebound on each qalqalah letter in sukun? (Yes / No)
  • Did we accidentally add a vowel? (Yes / No)
  • Was the rebound too long or too short? (Adjust: shorter if long, stronger if too soft)
  • Did we lose qalqalah in fast recitation? (If yes, slow down and reapply)
  • Did the qalqalah merge/conflict with nearby tajwīd rules (e.g., ghunnah)? (Mark for focused drill)

Next Steps After Mastering Qalqalah

  1. Master Tafkhīm & Tarqīq detailed rules — Learn when letters are heavy or light with comprehensive examples
  2. Learn Tafkhīm of Rā' detailed pronunciation rules — Understand when Rā' is heavy or light
  3. Master Lām of Allāh pronunciation rules and practice — Learn the special rules for Lām in Allah
  4. Review Sifāt Lāzimah (Permanent Characteristics) — Ensure you understand all permanent characteristics
  5. Understand Sifāt 'Āriḍah (Temporary Characteristics) — Learn context-dependent pronunciation rules
  6. Fix common Sifāt mistakes with correction strategies — Learn to identify and correct pronunciation errors

Note: Master the basic qalqalah rules first, then integrate with other Tajweed characteristics. Understanding qalqalah is essential for proper pronunciation of the five specific letters in all contexts.

Frequently Asked Questions

What is Qalqalah in Tajweed?
Qalqalah (قلقلة) is a bouncing echo sound produced when certain letters (ق، ط، ب، ج، د) are pronounced with sukoon (no vowel). It's not a vowel but a short percussive release that gives the consonant a tiny "kick" or "bounce" for clarity. The word literally means "vibration," "echo," or "bouncing."
Which letters have Qalqalah?
There are five classical qalqalah letters: ق، ط، ب، ج، د (qaaf, taa' emphatic, baa', jeem, daal). These are remembered by the phrase "ق ط ب ج د". Only these five letters produce qalqalah when they have sukoon or when stopping on them.
What are the three degrees of Qalqalah?
There are three degrees: Minor (صغرى) - occurs inside a word with sukun, light bounce; Major (كبرى) - occurs at word-end when stopping, strong bounce; Strongest (كبرى جداً) - occurs with shaddah + stop, very strong bounce. The strength depends on position and whether you stop or continue.
How do I produce Qalqalah correctly?
First identify if the letter is one of the five qalqalah letters, check if it has sukoon or you're stopping on it, position your articulation correctly for that letter, produce a small "stop" at the articulation point, then release quickly with a tiny rebound (not a vowel). Adjust strength according to position: slight inside word, stronger at word-end, strongest at waqf.
Does Qalqalah occur on letters other than the five?
No, classical teaching reserves the term "qalqalah" for the five letters ق ط ب ج د only. Other letters when in sukun do not produce qalqalah as taught. Even if other letters are silent, they don't have the characteristic bounce that defines qalqalah.
What's the best way to practice Qalqalah?
Start with single-letter stops (like ب), then single-word major qalqalah (like يَدْ), then minor qalqalah inside words (like اِقْتِرَاب), then medium degree at word-end without stop, then range practice covering all three degrees. Record yourself and compare with expert reciters. Use the 7-day plan: awareness, major focus, minor focus, medium focus, mixing practice, reading passages, and consolidation.

Ready to Master Qalqalah with Expert Guidance?

Understanding and mastering Qalqalah is crucial for proper pronunciation of the five specific letters in all contexts. Our qualified teachers provide personalized feedback to help you produce the correct bouncing echo sound and distinguish between the three degrees. Join our comprehensive Tajweed course and learn Qalqalah systematically.

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